My stand-up classes are friendly, supportive and inspiring. Nervous newbies (and more confident ones too) are welcome on all the beginner...

We're in a golden era of 'sitcom as half-hour comedy drama' with the likes of Fleabag, Detectorists, Atlanta, Catastrophe, Better Things,...

Twenty-five years ago I got myself an open-spot at the venerable Bearcat comedy club in Twickenham, greater London. I was at university a...

The role of the compere (or emcee/MC) is a crucial one in a stand-up comedy night and the compere has many things to do as the night unfo...

Hecklers often believe that heckling is all part of the fun and that comedians welcome it and that it helps them. While there are some co...

For this the twenty-second lesson I thought I’d speak to a couple of working comics. To get a broad perspective I spoke to one newer act,...

In the last lesson I discussed Set List, the entirely improvised stand-up night. In this lesson, I’m discussing the use of “games” in imp...

I'd been planning a lesson on persona and inspired by a question from a reader of my blog Ronan Anderson, I have combined the topic with ...

In this bumper blog we’ll see pretty much everything we’ve discussed about stand-up writing in a two-and-a-half minute Jerry Seinfeld rou...

Mark, a stand-up student of mine on my intermediate new material course, asked me to say more about what he termed ‘comedy metaphors’, wh...

Twenty five is a nice neat number isn’t it? It’d be a shame if it were ‘27’ lessons – hence me combining these three topics. I think I ca...

In the last few lessons we've been exploring transpositions. Let's end this exploration on personification. Also known as anthropomorphis...

In the previous lesson we discussed transpositions. We’re going to develop this idea and look at a common comic effect that can be achiev...

In the previous lesson I discussed the importance of going beyond what actually happened, and going into playful speculation. In your sta...

Comedy, and all creativity, begins with questions. What takes you into comic territory, rather than literary or dramatic territory, is th...

A stand-up will send me a video of their set and I will watch it, meeting them subsequently to discuss my observations on their material ...

How do you write one-liners? It all starts with words and phrases the comic encounters (or seeks out) in life. One approach to turning a ...

There’s a problem with true stories in a stand-up context. The long set-up followed by the quick payoff is often the form that anecdotes ...

In 2007 I interviewed Richard Herring in a Caffe Nero in Hammersmith for the short-lived comedy magazine The Fix. I’d recently seen him p...

Let’s zoom in and look more closely at a technique I mentioned in the last lesson: misdirection. I would unconsciously have laughed at mi...